flash atkins aka ben davis. he lends a techy big room flavour to 3am's house label in 'photoshoot'. pitched down vocals hover over a bright acid line and bursting bass line. 'wishpole' more ligher sound, where jazz licks and double bass stabs sit amongst a laid back, shuffling drum pattern and light vocals give a summery fee
both sides are typical balearic sounding with long building arrangements and floating synth works. the original is pumpin up a heavy b line with several drop ins and outs as the b side is remixed by another big spanish producer mr. dj grobas - giving the whole track a more deep and spacey approach to it. big plays by dave mothersole
booth tracks which reflect linuss unique interpretation of techy house music. 1st track = heavy prime time tune with sub tile vocals and a hypnotizing organ type of groove, which floats endlessly into a flawless breakdown. b side = a huge, electronic b line, which changes constantly and underlines those freaky vocal samples, played by mathias tanzmann, david duriez, einmusik, eddie richards ...
another peak time winner coming from climatic. keeping the magic of the original with the powerfull vocals from b. beresford 'melody' hits us with a big synth line riding high over a bassline geared to make some booty s do some serious shakin
in 1983 public image ltd. (pil) scored its biggest u.k. hit with'this is not a love song'. here comes a up-tempo pop/rock song electro house cover version of one of johnny lydon's finest moments yep the pil classic. very well done indeed with some heavily fx d vox,a cool retro synth line and even some les pauls and marshall stacks making a guest appearanc
eric prydz teams up with steve angello for another slice of pop-dance. woz not woztakes a simple 4/4 house formula, and while not being as instantly recognisable or as big-room sounding as call on me, its stretched out disco chords and guitar bass line to give it a summer anthem vibe
when you thought you heard it all... this drops down as a bomb! this is part 2, and the last in the sway-10-series. this white-colored vinyl brings you some fantastic stuff. cave starts the record with a true bomb! next in line is tim track, an upcoming swede, that youll here more of after this remix! truly amazing. v. kanzyani brings on the full force and energy in this mix
mit minimalem equipment und maximalem willen ist daheim bei geiger ein hitverdächtiger knaller entstanden, die labelmates schaeben&voss sowie firm-wortautomat schadprivat sind auch dabei
sehr überzeugende fortsetzung der rebel one limited reihe. Ähnlich verstrahlt wie die erste!!! craig richards – its big & bouncyde:bug - surprisingly dark, technoid and grimyewan pearson - im a big fan of the growling reese bass-line. grrrrr!also supported by ivan smagghe & rob mello.
theme music 6 is a midtempo sexy groover, laced with a seducing female vocal sample, heavy bass & a swanky sax. pulsating deepness very moodyman-like, with a dash of basic channel-ish style. ‘i cried for you’ is a more uptempo banger with a pulsating, panning bassline & a sad sax line that says it all. ‘i do it’ is a deep, dark, down & dirty groover ...
ultraphat minimal techn track…on the flip mathew jonson strips the guitar from 'slide' and the pads from 'buttaface' and adds hi sown bouncy ananlogue bass-line, dubby hi-hats and crunchy snares, and re-builds a lush, throbbing and distinctly hypnotic techno groove
a tight 3 track ep ! keep bustin starts off with crisp minimal beats, deep soulful bassline and catchy horns and guitar licks. 'wante'” has a swirl people vibe to it, ass shakin b-line and clever little vox samples, getting charted by dizzy, then 'some of this' gets all jackin. much trackier with tough stabs and bass and plays from farina, mello and the drop music boys.
louis benedetti serves up his usual soulful reinterpretation, with the original vocal from intense kept intact, while louis benedetti lays down a pretty funky late night groove, with a killer bassline pitting wits with some superb percussion and a subtle piano line 3 mixes to choose from here, all of which are variations on a stellar deep house theme
a detroit esq tech house monster sure to set the dance floors alight especially when the bass line kicks in. deep chords and fx all the way plays from all the usual suspects?
its peaktime floor action all the way on this tracky houser. on the reverse, happy feet is another bass-driven cut, with more great percussion, a stabbing male vocal snippet, and warbling synths. last up is drive straight, completing this set of tracky peaktime numbers with a hooky synth line and pumping bassline, while an abstract vocal stab duels it out with tight crisp beats for second billing.
2 tracks from the classic house music vaults of dallas! the flips of fpr013 lemon drops >tuaca mix< is a soulful deep house groove, complete with some swinging nyc drums, vocal bits and an infectious organ line. flip for jt donaldsons >blue magic<,a hypnotic steady builder that was huge back in the day. this is the sounds that influenced heads like brett johnson anddemarkus lewis, so have this fresh slab of history for your bag
mixing the funk of the 70s with a 2003 twist, this cool bass line makes its way to get on the bus. pajamabus grooves you for days to come. sneaking in on the remix are lable dudes john larner and slater hogan
iro aka sind zurück auf hivern mit dem letzten teil der trilogie, die 2020 mit -el passatge de les ombres- begann. das aktuelle album -planet earth-, das auch auf cd erscheinen wird, zeigt eine neue seite des katalanischen duos. die sieben songs teilen einen klinischen ansatz im sounddesign von perkussion und ambient. stücke wie der opener -14.696- bauen sich langsam auf, während -aquamarine-, eine der singles, eine euphorischere seite des projekts zeigt. diese kombination aus spannung, spacigen beats und hypnotischen schnitten spiegelt iro akas bestreben wider, ein kohärentes und fesselndes werk zu schaffen, das sich lohnt, gründlich durchgehört zu werden. illustration von vica pacheco und design von eenyakee.
after an ep visit from germany based artist basicnoise, it was only a matter of time before he presented greyscale with a full length. and what a strong album it is too! pattern explorations is mixture of heavy dub grooves that verge on deep techno. chords and grooves coexisting in full dub harmony. pattern explorations part 1 pulsates thru the lower frequencies making this an optimum dancefloor workhorse without losing the deepness to get transfixed by. creatives basslines and structures are explored to their fullest. patterns are experimented with but never overstep the boundaries of making a proper dub groove like in part 2. part 3 clocks in at over 13 minutes making it the second longest foray into deepness. there is a feeling of hope and eternal beauty as the atmosphere blissfully sets in among the surroundings. the patterns aren t limited to rhythm section as this one is a testament too. chords share a stratosphere with melody elements in complete grandeur. part 5 is a bit of a banger as the relentless beat pulls the listener forward in unison. part vi is particularly exciting adding remnants of an acid line and many other unique spacey bleeps and zaps. uncharted explorations for the genre of dub techno on this one! part 7 is just down right sick. over 14 minutes of an unforgiving and highly addictive dub tech groove makes this a sure-fire dancefloor destroyer. the reprise of part 2 brings the mood down quickly for an otherworldly lullaby. drifting off after that uptempo ride makes for a smooth landing as the album winds down. basicnoise came with it for greyscale s 23rd full length album! pattern explorations in full effect!
the 7th instalment of the shelflife album series brings together thirteen 170bpm calibre productions from circa 2001 to 2020. the cd comes in full colour digipak.
cool - gelassen - Ÿberraschend: volume 15 dieser superlativen serie wurde wieder von compostÕs mentor michael reinboth zusammengestellt. das pralle paket birgt 21 tracks, davon 8 exklusive unveršffentlichte delikatessen
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